Paroles ... Folksong/ standard country & western d'origine incertaine de la fin ...Folksong/ standard country & western d'origine incertaine de la fin du 19ème siècle également connu sous le titre "Cowboy Love Song". "De cette vallée où on dit que tu t'en vas". Mélancolie d'un amour perdu. Chanteur country, guitare, slide dobro, basse, harmonica et banjo. Instrumental tr-19.
Verse 1
From this valley they say you are going We will miss your bright eyes and sweet smile For they say you are taking the sunshine That has brightened my pathway awhile
Verse 2 Come and sit by my side if you love me Do not hasten to bid me adieu Just remember the Red River Valley And the cowboy who loves you so true
Verse 3
Won’t you think of the valley you’re leaving O how lonesome, how sad it will be? O think of the fond heart you’re breaking Every grief you are causing to me.
Verse 4 Come and sit by my side if you love me Do not hasten to bid me adieu Just remember the Red River Valley And the cowboy who loves you so true And the cowboy who loves you so true
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Version instrumentale de tr-5 dans un esprit Americana. Pensif & ...Version instrumentale de tr-5 dans un esprit Americana. Pensif & confiant. Mandoline, guitare électrique, dobro slide & section rythmique. Lap steel solo @ 2'13.
Where my friends congregate
And when we sit on those bar stools
We’re not alone
10 am the lights are on
Beer’s cold, the whiskey’s strong
And we’re drowning those memories
One by one
You can meet me at the idle hour
Where the juke box plays all those country songs
If you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back home
The neon lights are bright
Even tho it’s past midnight
And the band’s packed up and moved on
Stare at the clock on the wall
Bartender says last call
And I start missin’ her most of all
So, you can meet me at the idle hour
Where the juke box plays all those country songs
So if you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back home
Too many reasons not to go back home
Ballade country & western classique. Facile & chaleureux mais avec ...Ballade country & western classique. Facile & chaleureux mais avec une touche de nostalgie. Guitares twangy & acoustique, harmonica & basse.
Gritty, driving, reflective country folk with raw instrumentation and ...Gritty, driving, reflective country folk with raw instrumentation and bluegrass influences.
Ballade country. Intro mélancolique avec nappes de synthé & ...Ballade country. Intro mélancolique avec nappes de synthé & guitare. Tendre, errant & suspendu. 2ème partie @ 1'11 avec batterie. Vif & émotionnel. Country cinématique.
Paroles ... Valse country & western en hommage à l'état de Caroline du Sud. ...Valse country & western en hommage à l'état de Caroline du Sud. Paisible & sentimental. Chanteur, pedal steel, fiddle & rythmique.
SOUTH CAROLINA WALTZ VERSEIt was early spring Cherry blossoms were bloomin’ And the sun settin’ low in the palmetto sky
Sally Ann took the hand
Of Sir William Lewis And fell in love as they danced to The South Carolina Waltz
VERSE He was a sailor Who came from South Hampton From a ship building family, though we never pried Sally Ann had her man, Sir William Lewis And they danced and they swayed to the South Carolina Waltz
CHORUS We always knew
That it was forever Like the dawn of the rest of their lives From that night on, they were always together Side By Side
VERSE It was late in the fall When winter came callin’ And the sun sinkin’ low in the palmetto sky Sally Ann took the hand of sir William Lewis And they sailed off together for a late sunset ride But the autumn winds can be unforgiving And from out of nowhere their boat capsized And Sally Ann grabbed the hand of Sir William Lewis And we found them together on the shore where they died
Short Instrumental break
Now it’s early spring Cherry blossoms are bloomin’ And the sun settin’ low in the palmetto sky
Paroles ... Chanson country/folk avec une touche bluegrass. Confiant & ...Chanson country/folk avec une touche bluegrass. Confiant & entrainant. Chanteuse, guitare folk, mandoline, fiddle & basse électrique. Banjo @ 1'35.
Gotta keep on movingGotta find a way to get close to youHelp me keep on moving, gottastay on my feet if I wanna get close to youI’m not bad at moving, when I gotta,And I just don’t know what else to do Gotta keep my head up, everyNow and then look up to the skyBeen so low I don’t recall what the Leaves on the trees look likeI’m doing my best,But won’t you help me with the rest Oh while I’m still breathing I’m moving fastIf you want me to stayYou gotta ask If only I could love youI would spend all night getting close to youIf only I could love you I would Be the one you could call yoursOh it sounds so pretty, But if I don’t show you know I’m so unsure Oh while I’m still breathing I’m moving fastIf you want me to stay You gotta ask I won’t say it won’t work if youSay you’ll do the same Hold myself still,StopAnd get myself to stayBut every time I tryYou just slip off to the sideAnd I keep moving Oh while I’m still breathing I’m moving fastIf you want me to stayYou gotta ask x2
Emotional, passionate, quaint. Bright acoustic guitar sequences ...Emotional, passionate, quaint. Bright acoustic guitar sequences inspire feelings of warmth with tinges of melancholy, an individual taking stock of their life or returning home after a long time away. Acoustic guitar plays through melody with a homespun sensibility.
Emotional, passionate, quaint. Bright acoustic guitar sequences ...Emotional, passionate, quaint. Bright acoustic guitar sequences inspire feelings of warmth with tinges of melancholy, an individual taking stock of their life or returning home after a long time away. Stripped back underscore version.
Paroles ... Ballade country & western aigre-douce. Paisible mais avec une touche ...Ballade country & western aigre-douce. Paisible mais avec une touche de nostalgie. Chanteur, rythmique, piano & pedal steel.
I DON'T MATTER ANYWAY VERSE There’s a rumor goin’ round this little town Say you’re gonna throw my love away Well tell me where do you get off I’m the one having second thoughts And I don’t think we can last another day
CHORUS So We can talk about it We can sleep on it But I ain’t gonna meet you face to face Cause I’m beginnin’ to see
What you don’t mean to me And it really doesn’t matter anyway
VERSE You’ve got a new boyfriend, and I’m real free Let’s just call a spade a spade I’m eatin’ real well, and takin’ care of myself It’s something I gave up on along the way
CHORUS So we can talk about it We can sleep on it But I ain’t gonna meet you face to face Cause I’m beginnin’ to see
What you don’t mean to me And it really doesn’t matter anyway
REPEAT CHORUS We can talk about it We can sleep on it But I ain’t gonna meet you face to face Cause I’m beginnin’ to see
Underscore. Ballade country & western. Paisible mais avec une touche ...Underscore. Ballade country & western. Paisible mais avec une touche de nostalgie. Rythmique, piano & pedal steel.
Version alternative de tr-12 dans un esprit country/bluegrass. Banjo ...Version alternative de tr-12 dans un esprit country/bluegrass. Banjo & mandoline jouées à l'unisson. Basse @ 0'44 & pedal steel guitar @ 1'12.