Sois coolFais-le bienDis-le aussi fort que tu peux si tu veuxFais-le coolRends-moi fortRends-moi completJ’ai attendu tellement longtemps.Elle est toujours dans ma têteElle est juste là devant mes yeuxElle ne s’en ira jamaisQuand elle est là,Je sens que la vie est plutôt okSois coolFais-le bienDis-le aussi fort que tu peux si tu veuxFais-le coolRends-moi fortNous avons toujours nous-même
Je n’’ai jamais réussi à mettre deux plus deux ensembleJusqu’à ce que je te rencontreJe n’ai jamais aimé comme j’ai aimé avec toiJe ne veux pas vivre sans toiJe ne serai jamais le même sans toiSois celle qui me fautParle-moiParle avec gentillesse, marche avec attentionL’amour est précieux, l’amour est rareAttention à la manière dont tu entres dans ma vie !Attention quand tu glisses dans mon mondeIl me plaît de te regarder te lever,Si tu n’étais pas là, je disparaîtraisComment pourrais-je dépendre autant de l’amour ?Comment cela peut-il être si facileDe t’aimerDe t’enlacerDe prendre soin de toiJe n’ai jamais, jamais senti comme ça auparavant, oh non…Comment pourrais-je dépendre autant de l’amour ?Jamais le paradis n’a semblé aussi réel.SI proche.
Paroles ... Groupe indie folk. Confiant, accrocheur & sentimental. Duo de voix ...Groupe indie folk. Confiant, accrocheur & sentimental. Duo de voix masculine & féminine avec des paroles émouvantes. Guitare acoustique & batterie. Chorus @ 1'11. Onomatopées scandées @ 1'54.
Mrs. Sunshine, you're strong enough to smile Do you need me, do you need me anymore? I could settle and watch you from my tower Would it make me, would it make me nice?
Mrs. Feather, you're brave enough to fly
Do you love me, do you love me anymore?
I could give up, I'm sure you'd understand
But would you want me, would you want me in your land?
Mrs. Flower, you sleep within my cave
Do you see me, do you see me anymore? Hear this song and tell me if it's good
Is it good enough, is it good enough for you?
Mrs. Sunshine, don't miss the point I love you
Mrs. Sunshine, you chase the dark away And I need you
I need you
Mrs. Feather, you raise my lead soul to the sky And I love you
I love you
Paroles ... Chanson de travail sur les prisons, l'exploitation forestière et les ...Chanson de travail sur les prisons, l'exploitation forestière et les chemins de fer de la fin du 19ème siècle également connue sous le titre Nine Pound Hammer. Chanteur dans un esprit country & western, banjo, harmonica & dobro. Soubassophone & batterie @ 0'58. Instrumental tr-16.
Chorus
Take this hammer and carry it to the captain Take this hammer and carry it to the captain Take this hammer and carry it to the captain
An’ Tell him I’m gone Tell him I’m gone
Verse 1
If he ask you was I runnin’ If he ask you was I runnin’ If he ask you was I runnin’ Tell him I was flyin’ Tell him I was flyin’ If he ask you was I laughin’ If he ask you was I laughin’ If he ask you was I laughin’ Tell him I was cryin’ Tell him I was cryin’
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Verse 2
I don’t want no green back dollar I don’t want no green back dollar I don’t want no green back dollar
It hurts my pride It hurts my pride
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Take this hammer carry it to the captain Tell him I’m gone Tell him I’m gone
Traditional arranged byManuel Galvin & Jean-Jacques Milteau
Paroles ... Célèbre chanson de minstrel du 19ème siècle composée par Stephen ...Célèbre chanson de minstrel du 19ème siècle composée par Stephen Foster. "Oh, Susanna, Don't you cry for me, 'Cause I come from Alabama with the banjo on my knee...". Chanteur country, guitare, banjo, dobro slide & rythmique. Instrumental tr-28 & 29.
Verse 1 Well I come from Alabama with a banjo on my knee I'm bound for Louisiana, my own true love for to see It rained all night the day I left The weather it was dry Sun so hot I froze to death Susanna, don't you cry
Chorus Oh, Susanna Don't you cry for me ‘Cause I come from Alabama with the banjo on my knee
Verse 2 I had a dream the other night When everything was still I dreamed I saw my girl Susanne She was coming around the hill
The buckwheat cake was in her mouth A tear was in her eye I said I come from Dixie girl Suzanna, don't you cry
Chorus Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with the banjo on my knee Yeah Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with this banjo on my knee
Words & Music by Stephen Foster (D.P) Arrangement by Manuel Galvin & Jean-Jacques Milteau
Paroles ... Groupe indie folk. Introduction à l'harmonica avec guitare ...Groupe indie folk. Introduction à l'harmonica avec guitare acoustique. Voix masculine @ 0'30. Tendre, affectueux & inspirant. Banjo @ 1'01 dans un esprit bucolique. Duo avec voix féminine @ 1'11.
I’m a bird stuck in a stormy night
Trying to make it to a tree
And I found you on my way
Let’s fly real high ‘till the morning comes
You don’t need to be scared at all No flood can drown a flying bird
Say you will Say you will Say you will Follow me
And we’ll learn to read the winds better Always best to have them on your side And we’ll rest when we want to
On a floating branch somewhere
You don’t need to be scared at all Life is good to those who
Dare to try
High, high High, high
Paroles ... Groupe indie folk. Intro atmosphérique. Confiant, sentimental & ...Groupe indie folk. Intro atmosphérique. Confiant, sentimental & exprimant un besoin d'ailleurs. Guitare acoustique & voix masculine. Piano @ 2'05. Build-up @ 2'38 avec batterie, violoncelle & voix féminine. Finale avec chœur.
Sail away from the cries of your cynical thoughts
Sail away from the hurry to prove them wrong
Sail away from the voices who can't help but bring you down Let them think they know something
Then sail away
Sail away from the land where your dreams seem unreal
Sail away to where you don't have to do, where you only have to be Sail away from the striving
Sail away from the struggle
Sail away to the heavens, they're right here in your hands
Sail away to better lands
Paroles ... Rhythmic & uplifting love song in a Mexican folk style, sung in ...Rhythmic & uplifting love song in a Mexican folk style, sung in Spanish. Male singer, Jarana Huasteca, guacharaca, strings, requinto solo @ 1'40.
Tenerte me fascina y me provoca Arrancarte de mi piel y mi memoria Nos vemos, nos olemos, nos besamos Y mi sexto sentido me cuestiona, ¿Nos amamos?¿Nos amamos? Esclavo de un impulso, una mascota Que se tiene, pero nunca se le toca Presiento que me huyes y no importa Solo fuimos cómplices de una derrota ¿Nos cegamos?¿Nos cegamos? Eran labios color rojo carmesí Se llevaban lo que quedaba de mí Yo recuerdo aquel intenso frenesí Y no siento ser aquel que una vez fui Amanece, Amanece, Amanece, Ama... Tenerte me fascina y me provoca Arrancarte de mi piel y mi memoria Nos vemos, nos olemos, nos besamos Y mi sexto sentido me cuestiona, ¿Nos amamos? ¿Nos amamos? Eran labios color rojo carmesí Se llevaban lo que quedaba de mí Yo recuerdo aquel intenso frenesí Y no siento ser aquel que una vez fui Eran labios color rojo carmesí Se llevaban lo que quedaba de mí Yo recuerdo aquel intenso frenesí Y no siento ser aquel que una vez fui Amanece, Amanece, Amanece, Ama...
Instrumental. Rhythmic & uplifting track in a Mexican folk style. ...Instrumental. Rhythmic & uplifting track in a Mexican folk style. Strings, Jarana Huasteca, guacharaca, requinto solo @ 1'40.
Marlene Caissy Continente [Sacem] - Eric Caissy [Sacem]
LC :
10347
Album :
Midsummer Folk
Date de sortie :
07/10/2016
Editeur(s) :
Frederic Leibovitz Editeur [Sacem]
ISRC :
FRZPA1630000
Will you Come [CCB1055 - 5]
0
2'48
Manuel Galvin Michael Robinson
Paroles ... Soul ballad dans un esprit de fraternité basée sur le folksong ...Soul ballad dans un esprit de fraternité basée sur le folksong écossais & irlandais de la fin du 18ème siècle the Wild Mountain Thyme. "Well, not so long ago, I had the sweetest dream, I will never forget the feeling, people walking hand in hand...". Chanteur & guitare électrique. Guitare baryton & basse @ 1'11. Instrumental tr-20.
Verse 1
Well, not so long ago, I had the sweetest dream I will never forget the feeling, People walking hand in hand Will you come with me, come
To the other side of the river Where peace you will find,
Reach the other side, will we ever Will you come With me, come
Verse 2
I’m awake, but my dream is still here,
In my heart my soul and mind And I hope this dream we can share,
‘Cause your heart beats just like mine Will you come with me, come To the other side of the river Where peace you will find,
Reach the other side, will we ever Will you come with me, come Will you come, Come with me, come Will you come With me, come
Words by: Michael Wesley RobinsonMusic by: Manuel Galvin
I don’t need no one to tell me You’ve been on my mind lately I know
I’ve been thinking lots about you Wondering if I’ll ever get through My love
Some friends of mine they thought we should have Never got together from the start
But what do you think?
Is life lighter without me now,
How do you feel kissing someone else’s neck?
Still dreaming about you now and then Hoping to get fixed in the end
Always smiling with all my friends but They don’t know my castle’s made of sand
For you don’t answer when I call I stay awake until I fall
I miss you
Where have you been?
Tell me did you leave America, Making sure you don’t look back? Chasing clouds in South Australia, Trying to get back on track?
Paroles ... Groupe indie folk. Doux, calme & tendre. Intro à la guitare picking ...Groupe indie folk. Doux, calme & tendre. Intro à la guitare picking acoustique. Voix masculine @ 0'58 dans une ambiance intime. Harmonica @ 2'01. Duo féminin et masculin @ 2'27.
I know you don't need empty promises so I Won't make them for you
For you
All I have is songs and faith In our lucky moon
You're my good fortune
But I want you to feel safe inside my arms
I'll be your home, the one that follows you around
Paroles ... Chanson gospel de la tradition Afro-Américaine du 19ème siècle. ...Chanson gospel de la tradition Afro-Américaine du 19ème siècle. Go, tell it on the mountain, Over the hills and everywhere, Go, tell it on the mountain,That Jesus lives again...". Introduction avec voix & choeur gospel a cappella. Rythmique & guitare électrique @ 0'31. Instrumental tr-30.
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 1 While shepherds kept their watching, Over silent flocks by night Behold, throughout the heavens, There shone a holy light
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 2 The shepherds feared and trembled, When low above the earth Rang out ,angels chorus that hailed Our saviours birth
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Chorus as lib Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is bornGo tell it! Go tell itGo tell it! On the mountain
Go tell it! Everywhere Go tell it! Everywhere Go tell it! Can you tell the story Go tell it! About when He came, to the mountain Go tell it! OOOHH, Lord! Go tell it! Go tell it!
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
