album
titre
alt.
durée
compo/artiste
description
mots-clés
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Too Many Honky Tonks
[CEZ4396 - 7] -
1
- 2'29
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Chanson country / western-swing dans le style de la fin des 40's / début des 50's. Confiant & [...]
- honky tonk, chanteur , Etats-Unis d'Amérique, Country & Western, entraînant [...]
Titre : Too Many Honky TonksRéférence : CEZ4396 - 7Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
TOO MANY HONKY TONKSVERSE
I know she didn’t mean to hurt me
She tried so hard to make it right
I guess I lost out to the whisky
But I wonder where my baby is tonight
CHORUS
‘Cause when her tears start fallin’
Her goodtime friends come callin’
And they won’t keep her feet
On solid ground
From lonely street to misery
Uptown on down
There’re just too many honky tonks around
INSTRUMENTAL
VERSE
The neon lights are shinin’
Right thru the warm glow of this wine
And my ole heart is pinin’
And I wonder where she’ll be
At closing time.
CHORUS
‘Cause when her tears start fallin’
Her goodtime friends come callin’
And they won’t keep her feet
On solid ground
From lonely street to misery
Uptown on down
There’re just too many honky tonks around
From lonely street to misery
Uptown on down
There’re just too many honky tonks around
honky tonk, chanteur , Etats-Unis d'Amérique, Country & Western, entraînant, guitare pedal steel, violon fiddle, Western swing, 1950, chanté en anglais, confiant, danse country, gai & joyeux, insouciant, rythmique, 1940, guitare électrique, vie quotidienne, catchy, groupe, guitare folk, sentimental, cuisine & déco, piano acoustique, relax, acoustique, jazzy, medium, version principale
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Too Many Honky Tonks [...]
[CEZ4396 - 17] - 0
- 2'29
- Manuel Galvin [Sacem], Carlton Moody
- Underscore. Country / western-swing dans le style de la fin des 40's / début des 50's. Confiant & [...]
- Etats-Unis d'Amérique, entraînant, guitare pedal steel, 1950, confiant [...]
Titre : Too Many Honky Tonks UnderscoreRéférence : CEZ4396 - 17Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
TOO MANY HONKY TONKSVERSE
I know she didn’t mean to hurt me
She tried so hard to make it right
I guess I lost out to the whisky
But I wonder where my baby is tonight
CHORUS
‘Cause when her tears start fallin’
Her goodtime friends come callin’
And they won’t keep her feet
On solid ground
From lonely street to misery
Uptown on down
There’re just too many honky tonks around
INSTRUMENTAL
VERSE
The neon lights are shinin’
Right thru the warm glow of this wine
And my ole heart is pinin’
And I wonder where she’ll be
At closing time.
CHORUS
‘Cause when her tears start fallin’
Her goodtime friends come callin’
And they won’t keep her feet
On solid ground
From lonely street to misery
Uptown on down
There’re just too many honky tonks around
From lonely street to misery
Uptown on down
There’re just too many honky tonks around
Etats-Unis d'Amérique, entraînant, guitare pedal steel, 1950, confiant, gai & joyeux, insouciant, rythmique, violon fiddle, Western swing, 1940, danse country, guitare électrique, underscore, vie quotidienne, catchy, Country & Western, groupe, guitare folk, honky tonk, sentimental, cuisine & déco, piano acoustique, relax, acoustique, instrumental, jazzy, medium, version alternative
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Idle Hour
[CEZ4396 - 3] -
1
- 2'49
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Ballade country & western. Valse nonchalante & nostalgique. Chanteur, pedal steel, piano & [...]
- ballade country, honky tonk, chanteur , mélancolique, Amérique du Nord [...]
Titre : Idle HourRéférence : CEZ4396 - 3Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
IDLE HOURVERSE
There’s a place down the street
Where my friends congregate
And when we sit on those bar stools
We’re not alone
10 am the lights are on
Beer’s cold, the whiskey’s strong
And we’re drowning those memories
One by one
CHORUS
You can meet me at the Idle hour
Where the juke box plays all those country songs
If you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back homeVERSE
The neon lights are bright
Even tho it’s past midnight
And the band’s packed up and moved on
Stare at the clock on the wall
Bartender says last call
And I start missin’ her most of allCHORUS
So, you can meet me at the idle hour
Where the juke box plays all those country songs
So if you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back home
Too many reasons not to go back home
ballade country, honky tonk, chanteur , mélancolique, Amérique du Nord, chanté en anglais, sentimental, guitare pedal steel, rythmique, tendre, comédie romantique, relax, émouvant, groupe, guitare électrique, indolent, paisible, piano acoustique, vie quotidienne, amour, acoustique, guitare folk, lent, masculin, version principale
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Idle Hour Underscore
[CEZ4396 - 13] - 0
- 2'49
- Manuel Galvin [Sacem], Carlton Moody
- Underscore. Ballade country & western. Valse nonchalante & nostalgique. Pedal steel, piano & rythmique.
- ballade country, mélancolique, Amérique du Nord, sentimental, guitare pedal steel [...]
Titre : Idle Hour UnderscoreRéférence : CEZ4396 - 13Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
IDLE HOURVERSE
There’s a place down the street
Where my friends congregate
And when we sit on those bar stools
We’re not alone
10 am the lights are on
Beer’s cold, the whiskey’s strong
And we’re drowning those memories
One by one
CHORUS
You can meet me at the Idle hour
Where the juke box plays all those country songs
If you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back homeVERSE
The neon lights are bright
Even tho it’s past midnight
And the band’s packed up and moved on
Stare at the clock on the wall
Bartender says last call
And I start missin’ her most of allCHORUS
So, you can meet me at the idle hour
Where the juke box plays all those country songs
So if you’re tryin’ to hang on
To a love that’s dead and gone
With too many reasons not to go back home
Too many reasons not to go back home
ballade country, mélancolique, Amérique du Nord, sentimental, guitare pedal steel, tendre, underscore, comédie romantique, relax, rythmique, émouvant, groupe, guitare électrique, indolent, paisible, piano acoustique, vie quotidienne, amour, honky tonk, acoustique, guitare folk, instrumental, lent, masculin, version alternative
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Another Beer Chaser
[CEZ4396 - 1] -
1
- 3'13
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Chanson country caractéristique du style honky-tonk pour noyer son chagrin. Chanteur, [...]
- Country & Western, danse country, honky tonk, Etats-Unis d'Amérique, chanteur [...]
Titre : Another Beer ChaserRéférence : CEZ4396 - 1Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
BEER CHASER
CHORUS
Bring me another beer chaser
Another Bloody Mary’s goin’ down
I know it might seem early
But I booked the first flight out of town
That baby of mine found another man
And I ain’t stickin’ around
So bring me another beer chaser
Another Bloody Mary’s goin’ downVERSE
We came out here together
Just about a year ago
I was playin’ guitar at a hotel bar
She was workin’ at the casino
Serving drinks to high rollers
Till one of them caught her eye
Now she’s gone an’ hit the bi0g jackpot
And I’ve gone an’ bought a ticket to flyCHORUS
So bring me another beer chaser
Another Bloody Mary’s goin’ down
I know it might seem early
But I booked the first flight out of town
That baby of mine found another man
And I ain’t stickin’ around
So bring me another beer chaser
Another Bloody Mary’s goin’ downInstrumental
BRIDGE
They’re ready to board at gate #4
Here’s a hundred, you can keep the change
I’m gonna be the last one on
But I’ll sleep it off on the plane
I’ll sleep it off on the planeCHORUS
Bring me another beer chaser
Another Bloody Mary’s goin’ down
I know it might seem early
But I booked the first flight out of town
That baby of mine found another man
And I ain’t stickin’ around
So bring me another beer chaser
Another Bloody Mary’s goin’ down
Another Bloody Mary’s goin’ down
Another Bloody Mary’s goin’ down
Country & Western, danse country, honky tonk, Etats-Unis d'Amérique, chanteur , entraînant, violon fiddle, chanté en anglais, confiant, dansant, guitare électrique, guitare pedal steel, exaltant, rythmique, vie quotidienne, catchy, déterminé, gai & joyeux, groupe, insouciant, road movie, fougueux, acoustique, country, rapide, version principale
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Another Beer Chaser Underscore
[CEZ4396 - 11] - 0
- 3'13
- Manuel Galvin [Sacem], Carlton Moody
- Underscore. Country music dans le style honky-tonk. Rythmique, fiddle, pedal steel @ 0'36, guitare [...]
- Etats-Unis d'Amérique, Country & Western, entraînant, underscore, violon fiddle [...]
Titre : Another Beer Chaser UnderscoreRéférence : CEZ4396 - 11Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
BEER CHASER
CHORUS
Bring me another beer chaser
Another Bloody Mary’s goin’ down
I know it might seem early
But I booked the first flight out of town
That baby of mine found another man
And I ain’t stickin’ around
So bring me another beer chaser
Another Bloody Mary’s goin’ downVERSE
We came out here together
Just about a year ago
I was playin’ guitar at a hotel bar
She was workin’ at the casino
Serving drinks to high rollers
Till one of them caught her eye
Now she’s gone an’ hit the bi0g jackpot
And I’ve gone an’ bought a ticket to flyCHORUS
So bring me another beer chaser
Another Bloody Mary’s goin’ down
I know it might seem early
But I booked the first flight out of town
That baby of mine found another man
And I ain’t stickin’ around
So bring me another beer chaser
Another Bloody Mary’s goin’ downInstrumental
BRIDGE
They’re ready to board at gate #4
Here’s a hundred, you can keep the change
I’m gonna be the last one on
But I’ll sleep it off on the plane
I’ll sleep it off on the planeCHORUS
Bring me another beer chaser
Another Bloody Mary’s goin’ down
I know it might seem early
But I booked the first flight out of town
That baby of mine found another man
And I ain’t stickin’ around
So bring me another beer chaser
Another Bloody Mary’s goin’ down
Another Bloody Mary’s goin’ down
Another Bloody Mary’s goin’ down
Etats-Unis d'Amérique, Country & Western, entraînant, underscore, violon fiddle, confiant, dansant, danse country, guitare électrique, guitare pedal steel, exaltant, rythmique, vie quotidienne, catchy, déterminé, gai & joyeux, groupe, insouciant, road movie, fougueux, acoustique, honky tonk, instrumental, rapide, version alternative
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Fool Number One
[CEZ4396 - 4] -
1
- 2'59
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Chanson d'amour déçu dans le plus pur style country & western. Chanteur, rythmique, pedal [...]
- honky tonk, Country & Western, chanteur , entraînant, Etats-Unis d'Amérique [...]
Titre : Fool Number OneRéférence : CEZ4396 - 4Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
FOOL # 1CHORUS
Am I fool number 1
Or am I fool number 2
Tell me how many fools have been fooled by you
Now that it’s over, tell me the truth
If you’re the queen of heartaches,
Am I your number 1 fool?
VERSE
I spent so much time gettin’ hurt in this race
I don’t want to end up in second place
CHORUS
Am I fool number one
Or am I fool number two
Tell me how many fools have been fooled by you
Now that it’s over, tell me the truth
If you’re the queen of heartaches,
Am I your number one fool?
Instrumental break
VERSE
Set ‘em up Joe, and we’ll knock ‘em on down
To the potential number one fool in town
CHORUS
Am I fool number one
Or am I fool number two
Tell me how many fools have been fooled by you
Now that it’s over, tell me the truth
If you’re the queen of heartaches,
Am I your number one fool?
If you’re the queen of heartaches, Am I the number one fool?
honky tonk, Country & Western, chanteur , entraînant, Etats-Unis d'Amérique, chanté en anglais, insouciant, vie quotidienne, confiant, groupe, guitare électrique, catchy, gai & joyeux, guitare pedal steel, sentimental, rythmique, comédie romantique, exaltant, folky, guitare folk, road movie, tendre, acoustique, rapide, version principale
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Fool Number One Underscore
[CEZ4396 - 14] - 0
- 2'59
- Manuel Galvin [Sacem], Carlton Moody
- Underscore. Country & western. Rythmique, pedal steel & solo de guitare électrique @ 1'20.
- Country & Western, entraînant, Etats-Unis d'Amérique, insouciant, underscore [...]
Titre : Fool Number One UnderscoreRéférence : CEZ4396 - 14Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
FOOL # 1CHORUS
Am I fool number 1
Or am I fool number 2
Tell me how many fools have been fooled by you
Now that it’s over, tell me the truth
If you’re the queen of heartaches,
Am I your number 1 fool?
VERSE
I spent so much time gettin’ hurt in this race
I don’t want to end up in second place
CHORUS
Am I fool number one
Or am I fool number two
Tell me how many fools have been fooled by you
Now that it’s over, tell me the truth
If you’re the queen of heartaches,
Am I your number one fool?
Instrumental break
VERSE
Set ‘em up Joe, and we’ll knock ‘em on down
To the potential number one fool in town
CHORUS
Am I fool number one
Or am I fool number two
Tell me how many fools have been fooled by you
Now that it’s over, tell me the truth
If you’re the queen of heartaches,
Am I your number one fool?
If you’re the queen of heartaches, Am I the number one fool?
Country & Western, entraînant, Etats-Unis d'Amérique, insouciant, underscore, vie quotidienne, confiant, groupe, guitare électrique, catchy, gai & joyeux, guitare pedal steel, sentimental, rythmique, comédie romantique, exaltant, folky, guitare folk, road movie, tendre, acoustique, honky tonk, instrumental, rapide, version alternative
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Highway Call
[CEZ4396 - 2] -
1
- 3'52
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Chanson country-rock à propos de la liberté, de la route & des grands espaces. Positif & [...]
- Country & Western, honky tonk, chanté en anglais, chanteur , confiant [...]
Titre : Highway CallRéférence : CEZ4396 - 2Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
HIGHWAY CALL
Don’t try to tie me down, don’t hang my picture on the wall
I see that look in your eye, and you don’t have far to fall
And even this big Montana sky will feel too small when I hear that highway callVERSE
I’ll just start lookin’ around the bend, it happens time and time again
Keep it friendly let’s be friends, don’t try to rope me in
And I’ll hang my hat on your wall, till I hear that highway callCHORUS
Oh I think about the time that I’ve wasted,
Lettin’ this old restless heart get in the way
But everytime the smoke cleared, time dried up those tears
And I saddled up and rode away…rode away…. ay ayINSTRUMENTAL BREAK
CHORUS
Now I think about the times that I’ve wasted,
Lettin’ this old restless heart get in the way
But every time the smoke cleared, time dried up those tears
And I saddled up and rode away…rode away….
VERSE
So don’t try to tie me down, don’t hang my picture on the wall
I see that look in your eye, and you don’t have far to fall
Even this big Montana sky will feel too small, yah this big Montana sky’s gonna feel too small, when I hear that highway call, highway call.
Country & Western, honky tonk, chanté en anglais, chanteur , confiant, Etats-Unis d'Amérique, entraînant, guitare électrique, exaltant, groupe, insouciant, rythmique, vie quotidienne, catchy, déterminé, guitare pedal steel, country rock, fougueux, gai & joyeux, orgue Hammond, rapide, sentimental, version principale
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Highway Call Underscore
[CEZ4396 - 12] - 0
- 3'52
- Manuel Galvin [Sacem], Carlton Moody
- Underscore country-rock. Positif & déterminé. Rythmique, guitare électrique solo @ 1'52 & pedal steel.
- Country & Western, confiant, Etats-Unis d'Amérique, entraînant, guitare électrique [...]
Titre : Highway Call UnderscoreRéférence : CEZ4396 - 12Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
HIGHWAY CALL
Don’t try to tie me down, don’t hang my picture on the wall
I see that look in your eye, and you don’t have far to fall
And even this big Montana sky will feel too small when I hear that highway callVERSE
I’ll just start lookin’ around the bend, it happens time and time again
Keep it friendly let’s be friends, don’t try to rope me in
And I’ll hang my hat on your wall, till I hear that highway callCHORUS
Oh I think about the time that I’ve wasted,
Lettin’ this old restless heart get in the way
But everytime the smoke cleared, time dried up those tears
And I saddled up and rode away…rode away…. ay ayINSTRUMENTAL BREAK
CHORUS
Now I think about the times that I’ve wasted,
Lettin’ this old restless heart get in the way
But every time the smoke cleared, time dried up those tears
And I saddled up and rode away…rode away….
VERSE
So don’t try to tie me down, don’t hang my picture on the wall
I see that look in your eye, and you don’t have far to fall
Even this big Montana sky will feel too small, yah this big Montana sky’s gonna feel too small, when I hear that highway call, highway call.
Country & Western, confiant, Etats-Unis d'Amérique, entraînant, guitare électrique, underscore, country rock, exaltant, groupe, insouciant, rythmique, vie quotidienne, catchy, déterminé, guitare pedal steel, fougueux, gai & joyeux, honky tonk, instrumental, orgue Hammond, rapide, sentimental, version alternative
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Driving Home
[CEZ4396 - 5] -
1
- 3'07
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Chanson country "pour la route". Confiant & optimiste. Chanteur, guitares, piano & rythmique. [...]
- Country & Western, honky tonk, chanteur , confiant, Etats-Unis d'Amérique [...]
Titre : Driving HomeRéférence : CEZ4396 - 5Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
DRIVIN’ HOME
VERSE
There’s a four-lane highway, stretched up ahead
People rollin’ 90 miles an hour, and going nowhere
So when you need to slow down, I just turn that car around
And take the back roads thru the country when I’m drivin’ home
VERSE
Sweet country music, on the radio
Playin’ all those old songs we used to know
Ohh, They take me back, to a place not long ago
When we took the back roads thru the country
When we’re drivin’ home
INSTRUMENTAL break
VERSE
Rollin’ hills, deep blue skies, farmer Brown will tip his hat when you drive by
Oh, we’re movin’ so fast, leave your troubles in the past and
Take the back roads thru the country when you’re drivin’ home
VERSE
There’s a four-lane highway, stretched up ahead
People rollin’ 90 miles an hour and gettin’ nowhere
So when you need to slow down, just turn this car around
And take the back roads thru the country
Take the back roads thru the country
Take the back roads thru the country when I’m drivin’ home
Drivin’ home
Country & Western, honky tonk, chanteur , confiant, Etats-Unis d'Amérique, vie quotidienne, chanté en anglais, country rock, gai & joyeux, groupe, guitare électrique, insouciant, rythmique, entraînant, exaltant, catchy, guitare folk, piano acoustique, sentimental, folky, orgue Hammond, road movie, acoustique, guitare pedal steel, rapide, version principale
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Driving Home Underscore
[CEZ4396 - 15] - 0
- 3'07
- Manuel Galvin [Sacem], Carlton Moody
- Underscore. Chanson country "pour la route". Confiant & optimiste. Guitares, piano & rythmique. Solo de [...]
- confiant, Country & Western, Etats-Unis d'Amérique, underscore, vie quotidienne [...]
Titre : Driving Home UnderscoreRéférence : CEZ4396 - 15Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
DRIVIN’ HOME
VERSE
There’s a four-lane highway, stretched up ahead
People rollin’ 90 miles an hour, and going nowhere
So when you need to slow down, I just turn that car around
And take the back roads thru the country when I’m drivin’ home
VERSE
Sweet country music, on the radio
Playin’ all those old songs we used to know
Ohh, They take me back, to a place not long ago
When we took the back roads thru the country
When we’re drivin’ home
INSTRUMENTAL break
VERSE
Rollin’ hills, deep blue skies, farmer Brown will tip his hat when you drive by
Oh, we’re movin’ so fast, leave your troubles in the past and
Take the back roads thru the country when you’re drivin’ home
VERSE
There’s a four-lane highway, stretched up ahead
People rollin’ 90 miles an hour and gettin’ nowhere
So when you need to slow down, just turn this car around
And take the back roads thru the country
Take the back roads thru the country
Take the back roads thru the country when I’m drivin’ home
Drivin’ home
confiant, Country & Western, Etats-Unis d'Amérique, underscore, vie quotidienne, country rock, gai & joyeux, groupe, guitare électrique, insouciant, entraînant, exaltant, rythmique, catchy, guitare folk, piano acoustique, sentimental, folky, orgue Hammond, road movie, acoustique, guitare pedal steel, honky tonk, instrumental, rapide, version alternative
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South Carolina Waltz
[CEZ4396 - 6] -
1
- 3'39
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Valse country & western en hommage à l'état de Caroline du Sud. Paisible & sentimental. [...]
- ballade country, honky tonk, chanteur , chanté en anglais, valse [...]
Titre : South Carolina WaltzRéférence : CEZ4396 - 6Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
SOUTH CAROLINA WALTZIt was early spring
VERSE
Cherry blossoms were bloomin’
And the sun settin’ low in the palmetto sky
Sally Ann took the hand
Of Sir William Lewis
And fell in love as they danced to
The South Carolina Waltz
VERSE
He was a sailor
Who came from South Hampton
From a ship building family, though we never pried
Sally Ann had her man, Sir William Lewis
And they danced and they swayed to the South Carolina Waltz
CHORUS
We always knew
That it was forever
Like the dawn of the rest of their lives
From that night on, they were always together
Side By Side
VERSE
It was late in the fall
When winter came callin’
And the sun sinkin’ low in the palmetto sky
Sally Ann took the hand of sir William Lewis
And they sailed off together for a late sunset ride
But the autumn winds can be unforgiving
And from out of nowhere their boat capsized
And Sally Ann grabbed the hand of Sir William Lewis
And we found them together on the shore where they died
Short Instrumental break
Now it’s early spring
Cherry blossoms are bloomin’
And the sun settin’ low in the palmetto sky
Sally Ann and her man
Are restin’ in peace
While the wind sings and dances to
The South Carolina Waltz
The South Carolina Waltz
ballade country, honky tonk, chanteur , chanté en anglais, valse, violon fiddle, Etats-Unis d'Amérique, vie quotidienne, confiant, groupe, guitare électrique, mélancolique, rêveur, sentimental, comédie romantique, folky, guitare folk, insouciant, paisible, piano acoustique, rythmique, tendre, accordéon chromatique, acoustique, guitare pedal steel, medium, version principale
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South Carolina Waltz [...]
[CEZ4396 - 16] - 0
- 3'39
- Manuel Galvin [Sacem], Carlton Moody
- Underscore. Valse country & western. Paisible & sentimental. Pedal steel, fiddle, accordéon & [...]
- ballade country, underscore, valse, Etats-Unis d'Amérique, vie quotidienne [...]
Titre : South Carolina Waltz UnderscoreRéférence : CEZ4396 - 16Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
SOUTH CAROLINA WALTZIt was early spring
VERSE
Cherry blossoms were bloomin’
And the sun settin’ low in the palmetto sky
Sally Ann took the hand
Of Sir William Lewis
And fell in love as they danced to
The South Carolina Waltz
VERSE
He was a sailor
Who came from South Hampton
From a ship building family, though we never pried
Sally Ann had her man, Sir William Lewis
And they danced and they swayed to the South Carolina Waltz
CHORUS
We always knew
That it was forever
Like the dawn of the rest of their lives
From that night on, they were always together
Side By Side
VERSE
It was late in the fall
When winter came callin’
And the sun sinkin’ low in the palmetto sky
Sally Ann took the hand of sir William Lewis
And they sailed off together for a late sunset ride
But the autumn winds can be unforgiving
And from out of nowhere their boat capsized
And Sally Ann grabbed the hand of Sir William Lewis
And we found them together on the shore where they died
Short Instrumental break
Now it’s early spring
Cherry blossoms are bloomin’
And the sun settin’ low in the palmetto sky
Sally Ann and her man
Are restin’ in peace
While the wind sings and dances to
The South Carolina Waltz
The South Carolina Waltz
ballade country, underscore, valse, Etats-Unis d'Amérique, vie quotidienne, violon fiddle, confiant, groupe, guitare électrique, mélancolique, rêveur, sentimental, comédie romantique, folky, guitare folk, insouciant, paisible, piano acoustique, rythmique, tendre, accordéon chromatique, acoustique, guitare pedal steel, honky tonk, instrumental, medium, version alternative
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Good Time Honky Tonk
[CEZ4396 - 10] -
1
- 3'17
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Chanson country dans le style cajun de Louisiane. Entrainant, dansant & rural. Chanteur, [...]
- Louisiane, cajun, danse country, entraînant, bal folk [...]
Titre : Good Time Honky TonkRéférence : CEZ4396 - 10Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
GOODTIME HONKY TONK
VERSE
Just a little past the county line
Where the kudzu’s growin’ up the cross road sign
Sun’s sinkin’ thru the pine
You’ll find the goodtime honky tonk
VERSE
Just one happy family
Blowin’ off steam at the end of the week
Yes sir, no ma’am, thank you, please
At the goodtime honky tonk
CHORUS
Goodtime Honky Tonk
Grab yourself a cold one
Lose your troubles
An’ have some fun
At the goodtime Honky Tonk
Goodtime Honky Tonk
Grab yourself a partner
Try to hang on
To an old George Strait song
At the goodtime Honky Tonk
VERSE
Jukebox sittin’ on the old front porch
Punch those numbers and hit the floor
We all know what we’re here for
At the goodtime Honky Tonk
VERSE
None of that new country breed
Just Hank and Lefty and some Brenda Lee
Listen to Willie puff some weed
At the goodtime Honky Tonk
CHORUS
Goodtime Honky Tonk
Grab yourself a cold one
Lose your troubles
An’ have some fun
At the goodtime Honky Tonk
Goodtime Honky Tonk
Grab yourself a partner
Try to hang on
To an old George Strait song
At the goodtime Honky Tonk
INSTRUMENTAL
REPEAT CHORUS
Goodtime Honky Tonk
Grab yourself a cold one
Lose your troubles
An’ have some fun
At the goodtime Honky Tonk
Goodtime Honky Tonk
Grab yourself a partner
Try to hang on
To an old George Strait song
At the goodtime Honky Tonk
At the goodtime Honky Tonk
At the goodtime Honky Tonk
Heyeeeee
Louisiane, cajun, danse country, entraînant, bal folk, chanteur , confiant, Country & Western, dansant, gai & joyeux, honky tonk, plein air, accordéon chromatique, chanté en anglais, exaltant, groupe, guitare folk, insouciant, violon fiddle, catchy, cuisine & déco, déterminé, guitare électrique, rythmique, festif, folky, guitare pedal steel, acoustique, fougueux, rapide, version principale
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Good Time Honky Tonk [...]
[CEZ4396 - 20] - 0
- 3'17
- Manuel Galvin [Sacem], Carlton Moody
- Underscore. Country dans le style cajun de Louisiane. Entrainant, dansant & rural. Fiddle, pedal steel [...]
- Louisiane, entraînant, bal folk, confiant, dansant [...]
Titre : Good Time Honky Tonk UnderscoreRéférence : CEZ4396 - 20Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
GOODTIME HONKY TONK
VERSE
Just a little past the county line
Where the kudzu’s growin’ up the cross road sign
Sun’s sinkin’ thru the pine
You’ll find the goodtime honky tonk
VERSE
Just one happy family
Blowin’ off steam at the end of the week
Yes sir, no ma’am, thank you, please
At the goodtime honky tonk
CHORUS
Goodtime Honky Tonk
Grab yourself a cold one
Lose your troubles
An’ have some fun
At the goodtime Honky Tonk
Goodtime Honky Tonk
Grab yourself a partner
Try to hang on
To an old George Strait song
At the goodtime Honky Tonk
VERSE
Jukebox sittin’ on the old front porch
Punch those numbers and hit the floor
We all know what we’re here for
At the goodtime Honky Tonk
VERSE
None of that new country breed
Just Hank and Lefty and some Brenda Lee
Listen to Willie puff some weed
At the goodtime Honky Tonk
CHORUS
Goodtime Honky Tonk
Grab yourself a cold one
Lose your troubles
An’ have some fun
At the goodtime Honky Tonk
Goodtime Honky Tonk
Grab yourself a partner
Try to hang on
To an old George Strait song
At the goodtime Honky Tonk
INSTRUMENTAL
REPEAT CHORUS
Goodtime Honky Tonk
Grab yourself a cold one
Lose your troubles
An’ have some fun
At the goodtime Honky Tonk
Goodtime Honky Tonk
Grab yourself a partner
Try to hang on
To an old George Strait song
At the goodtime Honky Tonk
At the goodtime Honky Tonk
At the goodtime Honky Tonk
Heyeeeee
Louisiane, entraînant, bal folk, confiant, dansant, danse country, cajun, gai & joyeux, plein air, underscore, accordéon chromatique, exaltant, groupe, insouciant, catchy, cuisine & déco, déterminé, guitare électrique, guitare folk, honky tonk, rythmique, violon fiddle, festif, folky, guitare pedal steel, acoustique, Country & Western, fougueux, instrumental, rapide, version alternative
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If You Need Me
[CEZ4396 - 8] -
1
- 2'56
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Chanson d'amour country & western. Confiant & entrainant. Chanteur, rythmique, orgue, pedal [...]
- Country & Western, honky tonk, chanteur , country rock, chanté en anglais [...]
Titre : If You Need MeRéférence : CEZ4396 - 8Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
IF YOU NEED ME
VERSE
If you need me, honey I’ll be here for you
Even tho right now you think
That guy has hung the moon
I wish you well in that high society
But if the new wears off of those satin sheets
I’ll be here if you need me
VERSE
If you need me, honey I’ll still be around
Waiting right here on the other side of town
Where life is hard, but our love came easily
So, if the new wears off of those satin sheets
I’ll be here if you need me
CHORUS
I know you’ve wanted out of here so long
Now here’s your chance go on and run
Just remember everything that shines
Can fade away, dark clouds
Can hide the sun un un un
INSTRUMENTAL
VERSE
If you need me, honey I’ll still be around
Waiting right here on the other side of town
Where life is hard but our love came easily
So if the new wears off of those satin sheets
I’ll be here, if you need me…if you need me
Country & Western, honky tonk, chanteur , country rock, chanté en anglais, confiant, Etats-Unis d'Amérique, vie quotidienne, entraînant, guitare électrique, insouciant, rythmique, groupe, guitare pedal steel, gai & joyeux, guitare folk, sentimental, catchy, folky, tendre, acoustique, comédie romantique, medium, piano acoustique, rapide, version principale
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If You Need Me Underscore
[CEZ4396 - 18] - 0
- 2'56
- Manuel Galvin [Sacem], Carlton Moody
- Underscore. Country & western. Confiant & entrainant. Chanteur, rythmique, orgue, pedal steel solo @ [...]
- Country & Western, confiant, country rock, Etats-Unis d'Amérique, vie quotidienne [...]
Titre : If You Need Me UnderscoreRéférence : CEZ4396 - 18Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
IF YOU NEED ME
VERSE
If you need me, honey I’ll be here for you
Even tho right now you think
That guy has hung the moon
I wish you well in that high society
But if the new wears off of those satin sheets
I’ll be here if you need me
VERSE
If you need me, honey I’ll still be around
Waiting right here on the other side of town
Where life is hard, but our love came easily
So, if the new wears off of those satin sheets
I’ll be here if you need me
CHORUS
I know you’ve wanted out of here so long
Now here’s your chance go on and run
Just remember everything that shines
Can fade away, dark clouds
Can hide the sun un un un
INSTRUMENTAL
VERSE
If you need me, honey I’ll still be around
Waiting right here on the other side of town
Where life is hard but our love came easily
So if the new wears off of those satin sheets
I’ll be here, if you need me…if you need me
Country & Western, confiant, country rock, Etats-Unis d'Amérique, vie quotidienne, entraînant, guitare électrique, insouciant, underscore, groupe, guitare pedal steel, rythmique, gai & joyeux, guitare folk, sentimental, catchy, folky, tendre, acoustique, comédie romantique, honky tonk, instrumental, medium, piano acoustique, rapide, version alternative
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It Doesn't Matter Anyway
[CEZ4396 - 9] -
1
- 2'52
- Manuel Galvin [Sacem], Carlton Moody
- Paroles [...] Ballade country & western aigre-douce. Paisible mais avec une touche de nostalgie. Chanteur, [...]
- ballade country, honky tonk, chanté en anglais, chanteur , Etats-Unis d'Amérique [...]
Titre : It Doesn't Matter AnywayRéférence : CEZ4396 - 9Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
ballade country, honky tonk, chanté en anglais, chanteur , Etats-Unis d'Amérique, mélancolique, sentimental, émouvant, paisible, confiant, tendre, vie quotidienne, comédie romantique, groupe, guitare folk, guitare pedal steel, intimiste, piano acoustique, rêveur, rythmique, amour, calme, indolent, relax, acoustique, guitare électrique, lent, medium, version principale, violon fiddle
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It Doesn't Matter Anyway [...]
[CEZ4396 - 19] - 0
- 2'52
- Manuel Galvin [Sacem], Carlton Moody
- Underscore. Ballade country & western. Paisible mais avec une touche de nostalgie. Rythmique, piano & [...]
- Etats-Unis d'Amérique, mélancolique, sentimental, ballade country, émouvant [...]
Titre : It Doesn't Matter Anyway UnderscoreRéférence : CEZ4396 - 19Compositeur(s): Manuel Galvin [Sacem] - Carlton MoodyAuteur(s) : Carlton MoodyLC : 10347Album: Honky Tonk CountryEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
Etats-Unis d'Amérique, mélancolique, sentimental, ballade country, émouvant, paisible, underscore, confiant, guitare folk, tendre, vie quotidienne, comédie romantique, groupe, guitare pedal steel, intimiste, piano acoustique, rêveur, rythmique, amour, calme, indolent, relax, acoustique, guitare électrique, instrumental, lent, medium, version alternative, violon fiddle
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Old Time Country Dancing
[CEZ4372 - 7] -
1
- 2'50
- Jean-Yves Lozac'h
- "Quadrille pastoral, sautillant & irrésistible dans l'esprit irlandais. Banjo. Fiddle (violon folk) @ [...]
- banjos, Canada, square dance, old time, bal folk [...]
Titre : Old Time Country DancingRéférence : CEZ4372 - 7Compositeur(s): Jean-Yves Lozac'hArrangeur(s) : Morgan SansousLC : 10347Album: Country CrossingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
banjos, Canada, square dance, old time, bal folk, violon fiddle, cuillères, dansant, danse country, Etats-Unis d'Amérique, gai & joyeux, pastoral, confiant, Country & Western, entraînant, festif, plein air, sautillant, guitare folk, insouciant, vie quotidienne, cajun, campagne & jardin, ethnique & traditionnel, exaltant, fougueux, rythmé, acoustique, instrumental, petit ensemble, rapide, rythmique, version principale
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Old Time Country Dancing 2
[CEZ4372 - 24] - 0
- 2'52
- Jean-Yves Lozac'h
- Bluegrass extravagant & virtuose. Banjo, fiddle & guitar.
- gai & joyeux, old time, violon fiddle, bluegrass, Canada [...]
Titre : Old Time Country Dancing 2Référence : CEZ4372 - 24Compositeur(s): Jean-Yves Lozac'hArrangeur(s) : Morgan SansousLC : 10347Album: Country CrossingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
gai & joyeux, old time, violon fiddle, bluegrass, Canada, confiant, entraînant, folky, insouciant, plein air, bal folk, banjos (tous), campagne & jardin, cuillères, dansant, déterminé, festif, folk, guitare flat picking, travelling, vie quotidienne, Etats-Unis d'Amérique, ethnique & traditionnel, pastoral, sautillant, animalier, exaltant, fougueux, TV, acoustique, groupe, instrumental, rapide, très rapide, version alternative
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Honky Tonk Jump
[CEZ4356 - 8] - 0
- 2'11
- Vassili Caillosse [Sacem]
- Up-tempo western swing / danse country. Festif, entrainant & sautillant. Honky-tonk piano, pedal steel [...]
- Western swing, Etats-Unis d'Amérique, danse country, entraînant, honky tonk [...]
Titre : Honky Tonk JumpRéférence : CEZ4356 - 8Compositeur(s): Vassili Caillosse [Sacem]LC : 10347Album: Western SwingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
Western swing, Etats-Unis d'Amérique, danse country, entraînant, honky tonk, bal dancing, confiant, piano acoustique, 1940, 1950, guitare jazz, guitare pedal steel, violon fiddle, gai & joyeux, insouciant, plein air, rythmique, vie quotidienne, batterie, déterminé, jazz, amusant, cinéma rétro, cuisine & déco, dansant, drôles d'animaux, festif, petit ensemble, relax, sautillant, 1930, acoustique, instrumental, rapide, version principale
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Stompin' in the Bayou
[CEZ4372 - 10] - 0
- 2'27
- Jean-Yves Lozac'h
- Heureux, dansant & insouciant dans l'esprit des bals Cajun de Louisianne (fais dodo). Fiddle (violon [...]
- bal folk, violon fiddle, cajun, Louisiane, danse country [...]
Titre : Stompin' in the BayouRéférence : CEZ4372 - 10Compositeur(s): Jean-Yves Lozac'hArrangeur(s) : Morgan SansousLC : 10347Album: Country CrossingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
bal folk, violon fiddle, cajun, Louisiane, danse country, dansant, guitare pedal steel, sautillant, Canada, confiant, flonflons, folky, pastoral, entraînant, festif, gai & joyeux, guitare folk, insouciant, plein air, campagne & jardin, Country & Western, déterminé, guitare électrique, version principale, exaltant, folk, rythmique, vie quotidienne, animalier, batterie, catchy, cuisine & déco, jardinage, naïf, road movie, acoustique, groupe, guitares ethniques (toutes), instrumental, rapide
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Hillbilly Folks
[CEZ4053 - 9] - 0
- 1'19
- Silvain Vanot [Sacem]
- Traditionnel & optimiste. Auto-harp, guitare acoustique & harmonica. Old-time music.
- insouciant, Etats-Unis d'Amérique, old time, 1960, ballade country [...]
Titre : Hillbilly FolksRéférence : CEZ4053 - 9Compositeur(s): Silvain Vanot [Sacem]LC : 10347Album: American Road Book #1Editeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
insouciant, Etats-Unis d'Amérique, old time, 1960, ballade country, harmonica diatonique, confiant, guitare folk, plein air, relax, travelling, western contemporain, 1940, 1950, autoharp, banjos (tous), gai & joyeux, grand espace, paisible, pastoral, simple, vie quotidienne, 1930, Country & Western, acoustique, instrumental, medium
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-
Area Code 615
[CEZ4372 - 5] -
3
- 2'32
- Jeremy Tepper
- Confiant & enlevé. Un classique country & western up-tempo. Dobro slide, guitare pedal steel, fiddle & [...]
- Amérique du Nord, Country & Western, train, dobro slide, rodéo [...]
Titre : Area Code 615Référence : CEZ4372 - 5Compositeur(s): Jeremy TepperArrangeur(s) : Sham-Tristan Makdessi - Morgan SansousLC : 10347Album: Country CrossingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
Amérique du Nord, Country & Western, train, dobro slide, rodéo, confiant, entraînant, gai & joyeux, guitare pedal steel, newgrass, plein air, daytime TV, déterminé, guitare électrique, insouciant, dansant, exaltant, festif, fougueux, road movie, rythmique, batterie, campagne & jardin, country rock, folky, groupe, rythmé, urgent, acoustique, basse électrique, guitare folk, instrumental, rapide, version principale
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Aera Code 615 alternate
[CEZ4372 - 21] - 0
- 2'31
- Jeremy Tepper
- Exaltant & entraînant. Très rapide, fiddle. Pedal steel @ 0'30. Guitare électrique @ 0'45.
- confiant, Country & Western, plein air, underscore, entraînant [...]
Titre : Aera Code 615 alternateRéférence : CEZ4372 - 21Compositeur(s): Jeremy TepperArrangeur(s) : Sham-Tristan Makdessi - Morgan SansousLC : 10347Album: Country CrossingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
confiant, Country & Western, plein air, underscore, entraînant, gai & joyeux, guitare folk, guitare pedal steel, train, violon fiddle, batterie, guitare électrique, insouciant, rythmique, travelling, exaltant, groupe, urgent, déterminé, Etats-Unis d'Amérique, folk, folky, pastoral, road movie, acoustique, instrumental, rapide, version alternative
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Aera Code 615 alternate 2
[CEZ4372 - 22] - 0
- 2'33
- Jeremy Tepper
- Exaltant & entraînant. Très rapide, fiddle. Pedal steel @ 0'30. Guitare électrique @ 0'45 & rythmique.
- Country & Western, déterminé, entraînant, gai & joyeux, guitare folk [...]
Titre : Aera Code 615 alternate 2Référence : CEZ4372 - 22Compositeur(s): Jeremy TepperArrangeur(s) : Sham-Tristan Makdessi - Morgan SansousLC : 10347Album: Country CrossingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
Country & Western, déterminé, entraînant, gai & joyeux, guitare folk, plein air, rythmique, travelling, batterie, confiant, guitare électrique, insouciant, train, vie quotidienne, exaltant, festif, fougueux, groupe, Europe, folky, progression, road movie, urgent, acoustique, instrumental, rapide, version alternative
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Aera Code 615 alternate 3
[CEZ4372 - 23] - 0
- 2'31
- Jeremy Tepper
- Lively & exhilarating. Very fast. Underscore. Fiddle. Pedal steel 0'30. Electric guitar @ 0'45.
- rodéo, underscore, confiant, Country & Western, entraînant [...]
Titre : Aera Code 615 alternate 3Référence : CEZ4372 - 23Compositeur(s): Jeremy TepperArrangeur(s) : Sham-Tristan Makdessi - Morgan SansousLC : 10347Album: Country CrossingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
rodéo, underscore, confiant, Country & Western, entraînant, gai & joyeux, guitare folk, plein air, déterminé, guitare électrique, rythmique, vie quotidienne, bêtisier, guitare pedal steel, insouciant, train, travelling, catchy, exaltant, festif, urgent, violon fiddle, Amérique du Nord, animalier, basse électrique, campagne & jardin, dansant, folky, fougueux, rythmé, acoustique, batterie, groupe, instrumental, percussions ethniques (toutes), rapide, très rapide, version alternative
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Sweet Teardrops
[CEZ4372 - 11] - 0
- 2'49
- Jeremy Tepper
- Ballade country douce, délicate & attendrisante. Guitare électrique avec tremolo, harmonica. Guitare [...]
- ballade country, sentimental, slow (danse), Amérique du Nord, guitare électrique [...]
Titre : Sweet TeardropsRéférence : CEZ4372 - 11Compositeur(s): Jeremy TepperArrangeur(s) : Morgan SansousLC : 10347Album: Country CrossingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
ballade country, sentimental, slow (danse), Amérique du Nord, guitare électrique, noël, tendre, tremolo, road movie, balancement, country, dobro slide, harmonica diatonique, paisible, relax, vie quotidienne, insouciant, mélancolique, rêveur, ballade folk, batterie, calme, folky, formations instrumentales (toutes), guitare folk, indolent, intimiste, naïf, rythmique, travelling, laid-back, acoustique, instrumental, lent, version principale
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Sweet Moonlight Stroll
[CEZ4356 - 6] - 0
- 3'14
- Vassili Caillosse [Sacem]
- Ballade country / western swing. Sentimental, naïf & rêveur. Fiddle, guitare électrique & pedal steel [...]
- Etats-Unis d'Amérique, Western swing, ballade country, danse country, bal dancing [...]
Titre : Sweet Moonlight StrollRéférence : CEZ4356 - 6Compositeur(s): Vassili Caillosse [Sacem]LC : 10347Album: Western SwingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
Etats-Unis d'Amérique, Western swing, ballade country, danse country, bal dancing, sentimental, slow (danse), violon fiddle, 1940, guitare pedal steel, indolent, relax, 1950, guitare jazz, intimiste, mélancolique, paisible, rêveur, vie quotidienne, balancement, caisse claire balais, comédie romantique, contrebasse , jazzy, nocturne, tendre, amour, calme, charmant, cuisine & déco, émouvant, introspectif, rythmique, sensuel, 1930, acoustique, délicat, instrumental, lent, petit ensemble, retenu, version principale
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San Antonio Sunset
[CEZ4356 - 11] - 0
- 2'59
- Vassili Caillosse [Sacem]
- Ballade country / western swing . Tendre, nostalgique & rêveur. Guitare électrique, accordéon, fiddle [...]
- Etats-Unis d'Amérique, Western swing, danse country, bal dancing, ballade country [...]
Titre : San Antonio SunsetRéférence : CEZ4356 - 11Compositeur(s): Vassili Caillosse [Sacem]LC : 10347Album: Western SwingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
Etats-Unis d'Amérique, Western swing, danse country, bal dancing, ballade country, rêveur, sentimental, slow (danse), 1950, guitare électrique, paisible, relax, accordéon chromatique, indolent, intimiste, mélancolique, piano acoustique, vie quotidienne, caisse claire balais, calme, campagne & jardin, comédie romantique, cuisine & déco, insouciant, nocturne, tendre, amour, balancement, charmant, délicat, jardinage, jazzy, rythmique, 1930, 1940, acoustique, instrumental, lent, retenu, section de cordes, version principale
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Blue Ridge Highway
[CEZ4279 - 12] - 0
- 2'45
- Samard, Claude
- Pensif & calme. Ballade country avec une touche hillbilly. Mandoline, banjo slide & pedal steel guitars
- guitare pedal steel, road movie, ballade country, Country & Western, mélancolique [...]
Titre : Blue Ridge HighwayRéférence : CEZ4279 - 12Compositeur(s): Claude Samard [Sacem]LC : 10347Album: American RoutesArtiste : Samard, ClaudeEditeur(s) : Frederic Leibovitz Editeur [Sacem]ISRC : FRZPA1702960
I DON'T MATTER ANYWAY
VERSE
There’s a rumor goin’ round this little town
Say you’re gonna throw my love away
Well tell me where do you get off
I’m the one having second thoughts
And I don’t think we can last another day
CHORUS
So We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
VERSE
You’ve got a new boyfriend, and I’m real free
Let’s just call a spade a spade
I’m eatin’ real well, and takin’ care of myself
It’s something I gave up on along the way
CHORUS
So we can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
REPEAT CHORUS
We can talk about it
We can sleep on it
But I ain’t gonna meet you face to face
Cause I’m beginnin’ to see
What you don’t mean to me
And it really doesn’t matter anyway
No it really doesn’t matter anyway
guitare pedal steel, road movie, ballade country, Country & Western, mélancolique, western contemporain, banjo , Etats-Unis d'Amérique, mandoline américaine, confiant, errant, grand espace, introspectif, guitare folk, groupe, 1970, 1980, acoustique, émouvant, instrumental, marchant, medium, rythmique, sentimental, version principale
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Moving
[CCB1039 - 1] - 0
- 3'30
- Ruby Landen
- Paroles [...] Chanson country/folk avec une touche bluegrass. Confiant & entrainant. Chanteuse, guitare folk, [...]
- ballade country, confiant, folk song, chanteuse, entraînant [...]
Titre : MovingRéférence : CCB1039 - 1Compositeur(s): Ruby LandenAuteur(s) : Ruby LandenLC : 10347Album: Ruby Landen - MovingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
Gotta keep on moving
Gotta find a way to get close to you
Help me keep on moving, gotta
stay on my feet if I wanna get close to you
I’m not bad at moving, when I gotta,
And I just don’t know what else to do
Gotta keep my head up, every
Now and then look up to the sky
Been so low I don’t recall what the
Leaves on the trees look like
I’m doing my best,
But won’t you help me with the rest
Oh while I’m still breathing
I’m moving fast
If you want me to stay
You gotta ask
If only I could love you
I would spend all night getting close to you
If only I could love you I would
Be the one you could call yours
Oh it sounds so pretty,
But if I don’t show you know I’m so unsure
Oh while I’m still breathing
I’m moving fast
If you want me to stay
You gotta ask
I won’t say it won’t work if you
Say you’ll do the same
Hold myself still,
Stop
And get myself to stay
But every time I try
You just slip off to the side
And I keep moving
Oh while I’m still breathing
I’m moving fast
If you want me to stay
You gotta ask x2
ballade country, confiant, folk song, chanteuse, entraînant, travelling, Etats-Unis d'Amérique, folky, guitare folk, pastoral, vie quotidienne, chanté en anglais, road movie, déterminé, mandoline américaine, panoramique, plein air, train, violon fiddle, bluegrass, bluesy, calme, grand espace, insouciant, rythmique, tendre, amour (paroles), bal folk, groupe, acoustique, banjo , medium, rapide, version principale
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-
Country Superpickers
[CEZ4372 - 1] - 0
- 2'11
- Jeremy Tepper
- Exaltant & entraînant. Très rapide, guitare flat-picking virtuose. Pedal steel @ 0'30. Guitare [...]
- Country & Western, guitare flat picking, rodéo, bêtisier, Etats-Unis d'Amérique [...]
Titre : Country SuperpickersRéférence : CEZ4372 - 1Compositeur(s): Jeremy TepperArrangeur(s) : Morgan SansousLC : 10347Album: Country CrossingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
Gotta keep on moving
Gotta find a way to get close to you
Help me keep on moving, gotta
stay on my feet if I wanna get close to you
I’m not bad at moving, when I gotta,
And I just don’t know what else to do
Gotta keep my head up, every
Now and then look up to the sky
Been so low I don’t recall what the
Leaves on the trees look like
I’m doing my best,
But won’t you help me with the rest
Oh while I’m still breathing
I’m moving fast
If you want me to stay
You gotta ask
If only I could love you
I would spend all night getting close to you
If only I could love you I would
Be the one you could call yours
Oh it sounds so pretty,
But if I don’t show you know I’m so unsure
Oh while I’m still breathing
I’m moving fast
If you want me to stay
You gotta ask
I won’t say it won’t work if you
Say you’ll do the same
Hold myself still,
Stop
And get myself to stay
But every time I try
You just slip off to the side
And I keep moving
Oh while I’m still breathing
I’m moving fast
If you want me to stay
You gotta ask x2
Country & Western, guitare flat picking, rodéo, bêtisier, Etats-Unis d'Amérique, virtuose, entraînant, guitare pedal steel, confiant, country rock, guitare électrique, train, batterie, catchy, déterminé, plein air, rythmique, urgent, exaltant, gai & joyeux, groupe, insouciant, fougueux, road movie, animalier, cuisine & déco, festif, travelling, acoustique, basse électrique, dansant, instrumental, très rapide, version principale
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-
Romantic Ireland Is Dead and [...]
[GMT8058 - 6] - 0
- 3'33
- The Mighty Stef
- Paroles [...] Nostalgique mais décontracté. Chanteur, harmonica, piano, guitare acoustique & rythmique.
- ballade country, chanteur , confiant, Country & Western, Etats-Unis d'Amérique [...]
Titre : Romantic Ireland Is Dead and GoneRéférence : GMT8058 - 6Compositeur(s): Stefan Murphy [Sacem]Auteur(s) : Stefan MurphyLC : 27625Album: American LegacyArtiste : The Mighty StefEditeur(s) : GUM Collections [Sacem]ISRC : FR6Z61421500
I was born in a haze of bullets late november late 70's
Never did I want for anything anytime
Never did I crawl down on my knees
I was taught to hold my head up
And my two fists when the time was right
I listened to the clash I loved my brothers
Never hesitated when I had to fight.
I came of age in the early 90's
then the fear start creeping in
fear of success fear of failure
am I better or worse than him
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-
Kentucky Traveller
[CEV3034 - 1] - 0
- 1'51
- Christian Lancry [Sacem], Thomas Bewicke Copley [Sacem]
- Bluegrass. Vif & urgent. Banjo, violon fiddle @ 0'26 & guitare dobro slide @ 0'53.
- bluegrass, banjo bluegrass, banjos (tous), bêtisier, ensemble d'instruments traditionnels [...]
Titre : Kentucky TravellerRéférence : CEV3034 - 1Compositeur(s): Christian Lancry [Sacem] - Thomas Bewicke Copley [Sacem]LC : 10347Album: Country CradleEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I was born in a haze of bullets late november late 70's
Never did I want for anything anytime
Never did I crawl down on my knees
I was taught to hold my head up
And my two fists when the time was right
I listened to the clash I loved my brothers
Never hesitated when I had to fight.
I came of age in the early 90's
then the fear start creeping in
fear of success fear of failure
am I better or worse than him
bluegrass, banjo bluegrass, banjos (tous), bêtisier, ensemble d'instruments traditionnels, Etats-Unis d'Amérique, gai & joyeux, road movie, rodéo, square dance, violon fiddle, cavalcade, virtuose, Country & Western, ethnique & traditionnel, poursuite, bal folk, confiant, entraînant, festif, fougueux, guitare Dobro, guitare folk, plein air, urgent, exaltant, sautillant, travelling, virevoltant, acoustique, comique, contrebasses (toutes), drôles d'animaux, grand espace, instrumental, pastoral, rapide, rythmé, très rapide
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-
Country Ballroom
[CEZ4356 - 1] - 0
- 2'36
- Vassili Caillosse [Sacem]
- Country / western swing. Insouciant, entrainant & dansant. Guitare jazz, fiddle @ 0'34, pedal steel [...]
- Western swing, danse country, Etats-Unis d'Amérique, entraînant, bal dancing [...]
Titre : Country BallroomRéférence : CEZ4356 - 1Compositeur(s): Vassili Caillosse [Sacem]LC : 10347Album: Western SwingEditeur(s) : Frederic Leibovitz Editeur [Sacem]
I was born in a haze of bullets late november late 70's
Never did I want for anything anytime
Never did I crawl down on my knees
I was taught to hold my head up
And my two fists when the time was right
I listened to the clash I loved my brothers
Never hesitated when I had to fight.
I came of age in the early 90's
then the fear start creeping in
fear of success fear of failure
am I better or worse than him
Western swing, danse country, Etats-Unis d'Amérique, entraînant, bal dancing, daytime TV, guitare électrique, insouciant, plein air, 1950, bricolage, confiant, dansant, guitare pedal steel, sautillant, train, violon fiddle, 1940, kitsch & cheesy, relax, 1930, animaux domestiques, campagne & jardin, groupe, amusant, catchy, festif, jazzy, rythmique, acoustique, instrumental, naïf, rapide, version principale, vie quotidienne
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-
Old Southern Walz
[CEZ4279 - 14] - 0
- 2'19
- Galvin, Manuel
- Facile, tendre & simple. Valse western. Guitares acoustiques.
- guitare folk, campagne & jardin, paisible, ballade country, pastoral [...]
Titre : Old Southern WalzRéférence : CEZ4279 - 14Compositeur(s): Manuel Galvin [Sacem]LC : 10347Album: American RoutesArtiste : Galvin, ManuelEditeur(s) : Frederic Leibovitz Editeur [Sacem]ISRC : FRZPA1702980
I was born in a haze of bullets late november late 70's
Never did I want for anything anytime
Never did I crawl down on my knees
I was taught to hold my head up
And my two fists when the time was right
I listened to the clash I loved my brothers
Never hesitated when I had to fight.
I came of age in the early 90's
then the fear start creeping in
fear of success fear of failure
am I better or worse than him
